This annotated bibliography comprises four references included in my project proposal and a fifth reference that has been suggested in review/feedback sessions over the last few weeks. Each text has been significant in supporting my practice-led research and my digital diary includes posts on each of the five references.
I selected these particular books as I thought they would help me to get started with thinking about some of the research questions I had identified. While some of these questions make specific reference to the idea of edge my reading has been more general at this early stage, focusing on the nature of photographs, the history of photography and contemporary photographic practice with a specific focus on abstraction, and the work of exemplary artists.
Text 1: The Nature of Photographs
Text 2: Art Photography Now
Text 3: Photography is Magic
Text 4: The edge of Vision: The Rise of Abstraction in Photography
Text 5: Sean Scully Figure / Abstract
References
Annotated references included in this bibliography
Bright, Susan (2011) Art Photography Now, Revised and Expanded Edition, Thames and Hudson, London.
Charlotte Cotton (2015) Photography is Magic, Aperture, New York.
O'Sullivan, Marc, Beate Reifenschein & Sean Scully (2014) Sean Scully Figure/Abstract, Hatje Cantz Verlag, Ostfildern.
Rexer, Lyle (2009) The Edge of Vision: The Rise of Abstraction in Photography, Aperture, New York.
Shore, Stephen (2007) The Nature of Photographs, Phaidon, London & New York.
References yet to be annotated
Keenan, T. & Steyerl, H. "What is a document?: an exchange between Thomas Keenan and Hito Steyerl", Aperture, pp. 59-64.
Ritchie, F. "Making Pictures Matter: photojournalism, documentary, and the citizen" in Bending the Frame,Aperture, New York, pp. 47-60.
Thompson, N. & Azoulay, A. "Photography and Its Citizens", Aperture, pp. 52-57.
Future readings (updated from proposal)
Theories of space and place
Tuan, Yi-fu. 1977, Space and place: the perspective of experience, University of Minnesota Press, Minneapolis.
Lefebvre, Henri. 1991, The Production of Space, translated by Donald Nicholson-Smith, Blackwell, Oxford and Cambridge.
Gieseking, Jen Jack, Manigold W., Katz, Cindi and Saegert, Susan. 2014 The People, Place and Space Reader, Routledge, New York and Oxfordshire.
Massey, Doreen. 1991, "A Global Sense of Place", Marxism Today, June, pp. 24-29.
Smith, Neil. 1993, "Homeless/global: scaling places" in Mapping the Futures: Local Cultures, Global Change, eds. J. Bird, B. Curtis & T. Putman et al, Routledge, New York, pp. 87-119.
Perception and affect
Gregg, M. & Seigworth, G.J. (eds) 2010, The Affect Theory Reader, Duke University Press, Durham, NC.
Colour theory
Angoston, G. A. 2013, Color Theory and Its Application in Art and Design, Springer-Verlag, Berlin Heidelberg GmbH ???.
I need advice here!
Photography
Wells, L. (ed) 2015, Photography: a critical introduction, Fifth edn, Routledge, Oxon & New York.
Batchen, Geoffrey. Emanations: The Art of the Cameraless Photograph
Abstract art
Vallier, Dora. 1970, Abstract Art, Orion, New York.
Sean Scully
Ingleby, F. (ed) 2006, Sean Scully Resistance and Persistence: selected writings, Merrell Publishers Limited, London & New York.
Other artists
Damase, Jaques. 1972, Sonia Delaunay: rhythms and colours, Thames & Hudson, London.
Dogançay, Burhan. 2003, Burhan Dogançay: works on paper 1950-2000, Hudson Hills Press, New York & Manchester.
Nordland, Gerald. 1987, Richard Diebenkorn, Rizzoli, New York.
Néret, Gilles. 1994, Henri Matisse: Cut-outs, Bendikt Taschen, Köln.
Geldzahler. Henry. 1985, Pop Art 1955-70, International Cultural Corporation of Australia.
Helmrich, Michele. 2016, Denise Green: Beyond and Between – A Painter’s Journey, University of Queensland Art Museum, Brisbane.
Literature
Winton, Tim. 2015, Island Home: a landscape memoir, Hamish Hamilton, Australia.
Winton, Tim. 1993, Land's Edge, Pan Macmillan Publishers Australia, Sydney.
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